Harry Styles aside, individual artistic journeys of ex-participants of TV talent show-manufactured bands rarely capture the public imagination. They usually follow predictable patterns – often a pursuit at a toughened-up R&B sound, complete with at least a track featuring a cameo by an American rapper, or a move into “grownup” mainstream-approved polished adult contemporary – and they usually amount to a dimly remembered placeholder, the visual and auditory experience of someone gamely killing time before the inevitable band comeback concerts.
It’s a state of affairs that makes the idiosyncratic path currently taken by former Little Mix member Jade Thirlwall surprisingly refreshing. She definitely participates in doing the kind of things that former talent show band members are known for undertaking, among them emphatically stating that she’s no longer subject the media-trained constraints of the factory-produced music business – judging by the audience this evening, the most popular item on the official goods stand is a fan emblazoned with the phrase “TINA SAYS YOU’RE A CUNT”, a song line from Gossip, her musical partnership with electronic pair Confidence Man – but regardless, the songs she has chosen to create is pop of a noticeably more intriguing stripe than the norm.
She opened her solo account with the previous year's excellent her debut single Angel Of My Dreams, a highly unusual, jarring and disjointed mixture of big pop balladry, noisy synthesisers and samples from the classic track Puppet On A String by Sandie Shaw.
As the set on her first solo tour demonstrates, not everything on her debut album That’s Showbiz, Baby! is quite as interesting as that: Before You Break My Heart is insanely catchy, but it’s also typical dancefloor-oriented pop, driven by exactly the Motown musical snippet the name implies; things are padded out with a interpretation of Madonna’s Frozen that transforms into a medley of 90s dance hits, from the track Pacific State by 808 State to N-Trance’s Set You Free.
However, there exists additional material in the vein of Angel Of My Dreams. Headache melds an Abba-esque chorus with song sections that offer a borderline atonal style of rhythmic music or are enfolded by cavernous echo. She dedicates Unconditional to her mum: it has a wonderful tune, early 80s syndrums, and crashing rock guitar combined with metallic pounding beats. IT Girl surprisingly resurrects the sound of early 00s electroclash, or more accurately the thrilling strain of millennium-era popular music that was heavily influenced by the electroclash genre, while Natural at Disaster begins like a keyboard-led emotional song before unexpectedly swerving into a dark computerized noise.
The artist on stage is a immensely likable, delightfully authentic presence: she declares, she announces at a certain moment, “trembling uncontrollably”; shouting out her LGBTQ+ fanbase, who are here in force, she suggests thanking them by including a official undergarment to the merch stand.
It could conclude the way these kind of solo careers end – the enmity towards former bandmate her previous colleague Jesy Nelson voiced within Natural at Disaster resolved, a press conference to announce that Little Mix are back – but the reality that every attendee seem to be knowing every lyric as they sing along to a record that was released just a few weeks prior causes one to ponder. And should it occur, the closing Angel Of My Dreams emphasizes that Thirlwall’s solo career is unlikely to recede into the domain of the barely recalled interim project.
Jade plays the Manchester venue O2 Victoria Warehouse in Manchester this evening and is traveling across the United Kingdom through October 23rd.
A passionate horticulturist with over 10 years of experience in organic gardening and landscape design.